Latin American and U.S. Latinx music is constantly evolving through migration, displacement, and globalization, and in 2020, it was clear that a catch-all term for genre and identity could never capture that multiplicity. The year gifted us Natanael Cano’s experiments in trap corrido, Dominican dembow courtesy of El Alfa and Haraca Kiko, electronic music from Arca and Lucrecia Dalt, and beyond—sounds that reflect the intricacy and creativity emerging from our complicated communities.