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Archive · Chicago

Fahrenheit 1/15, Part I: The Truth Is Among Us

By Diony C.

September 7, 2026

5 min read

Two years before Food & Liquor, Lupe Fiasco and Bishop G burned a CD-R of freestyles and reworks for callers to their weekly WGCI radio show. Seventeen tracks. No label, no rollout. Stream it in the archive.

Lupe Fiasco — Fahrenheit 1/15, Part I: The Truth Is Among Us mixtape cover art
Self-released via WGCI's FNF Radio. 2004. Seventeen tracks. A free CD-R handed to radio callers, two years before Food & Liquor.

In 2004, Lupe Fiasco was nobody yet. He’d been dropped from Arista before ever releasing an album there, and instead of disappearing, he and Bishop G started a weekly radio show on WGCI’s FNF Radio and pressed up a CD-R of freestyles and old songs to hand out to callers. No label. No rollout. No plan beyond the show itself. That CD-R was Fahrenheit 1/15, Part I: The Truth Is Among Us.

Lupe Fiasco — Fahrenheit 1/15, Part I: The Truth Is Among Us mixtape cover art

Lupe Fiasco & Bishop G Present

Fahrenheit 1/15, Part I: The Truth Is Among Us

2004 · Lupe Fiasco

17 tracks · Recorded for WGCI’s FNF Radio

#Chicago / Before Food & Liquor

17 tracks
1 ·

Lupe Fiasco · Intro

2 ·

Lupe Fiasco · Twilight Zone

3 ·

Lupe Fiasco · The Pen and the Needlz

4 ·

Lupe Fiasco · Knockin' At the Door

5 ·

Lupe Fiasco · Champ Is Here (Freestyle)

6 ·

Lupe Fiasco · Failure

7 ·

Lupe Fiasco · Boss Playa

8 ·

Lupe Fiasco · Jesus Walks (Ahk-A-Fella Version)

9 ·

Lupe Fiasco · WGCI Freestyle

10 ·

Lupe Fiasco · Hater Hop

11 ·

Lupe Fiasco · The Run Down

12 ·

Lupe Fiasco · Ooh

13 ·

Lupe Fiasco · Slow Down

14 ·

Lupe Fiasco feat. Anthony Hamilton · Comin' From Where I'm From

15 ·

Lupe Fiasco · Shayla G Up

16 ·

Lupe Fiasco · Radio Broadcast

17 ·

Lupe Fiasco · Welcome Back Chilly

Press play above and hear where it started.

Before Food & Liquor

Two years later, Food & Liquor would introduce the version of Lupe Fiasco the world actually got to know: conceptual, meticulous, carrying the weight of a whole philosophy about what conscious hip-hop should sound like. The Truth Is Among Us caught him before any of that hardened into place. In a retrospective look back at the tape, The Fader put it plainly: “They capture Lupe Fiasco at his sharpest, before his work turned to labyrinthine, high-concept opuses, and before it was saddled with carrying a school of rap ideology he never really identified with… It was Lupe without the baggage of history, and he never sounded exactly like this again.”

Seventeen Tracks, Seventeen Names

Seventeen tracks, seventeen names doing what mixtape culture has always done best: turning other people’s records into raw material. “Champ Is Here” freestyles over someone else’s beat. “Jesus Walks (Ahk-A-Fella Version)” takes Kanye West’s own instrumental and repurposes it, two years before Kanye would end up producing on Food & Liquor itself, an odd, early echo of a partnership neither of them had any reason to expect yet. “Comin’ From Where I’m From” reworks Anthony Hamilton’s own song entirely, Lupe rapping over the sample while smartly leaving Hamilton’s original hook intact, a real, specific verse painting a kid on the curb watching a hustler’s car pass, a man in county wondering if his partner will wait for him. The Fader called it a masterwork. Shayla G and Gemini, his real day-one collaborators, are woven through the whole thing, not credited guests so much as co-conspirators.

Welcome Back Chilly

There’s a “Welcome Back Chilly” at the very end, a nod to Charles “Chilly” Patton, the manager who’d go on to executive produce Lupe’s actual debut two years later. Even in 2004, on a CD-R burned for radio callers, the people who’d matter later were already in the room.

Watch

Lupe Fiasco, in his own words, breaking down the Fahrenheit 1/15 series and the mixtape run that came before anyone outside Chicago knew his name.

Why This One Lives Here

Fahrenheit 1/15, Part I: The Truth Is Among Us was never sold, never pressed for retail, and never entered legitimate commercial distribution — DatPiff-era mixtape culture in its purest form. There’s no product tie-in here, and there shouldn’t be. Some records exist to be heard, not bought. Stream the full tape in the player above.